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Travelalot, Vic, Qld, Cali, Australia
Like making old things new again. Enjoy working on a far away big tree/cow farm vs inner city digital stuff and with the NBN that's changing, creative lifestyles and digital content businesses. I have 4 degrees in psychology, media, literature, librarianship, management and business including a business PhD that explored how tech created opportunities in the music sector (as a lead indicator to other content sectors). Am fascinated by how people use digital stuff and emerging uses. Slow living, reject unreal or fast lifestyles, I like to know all about what I eat. Maintaining a professional hatred and boycott of Farcebook. Confused about whether to write in 1st or 3rd person on this site. Love animals and have always had them around - cows, horses, chooks, cats, dogs, sheep, goats, camels, budgies. Met lots of snakes too. Enjoy aesthetic immersion and favourite era is 1940-1959. Music obsessive not impartial to late nights watching bands. blah blah blah

Tuesday, February 1, 2011

BORING

I am utterly BORED with the news out of MIDEM, the European music industry conference.  In fact I'm BORED with all the music industry news I'm reading at the moment.  It's more of the same stuff we've been hearing for years, and being broadcast as if it's a new finding.


It appears the industry has reached a stalemate, and it's STALE, mate.  There's lots of innovative digital startups, but they are frozen by major label licensing tactics and neanderthal legislation.  The law cannot keep up with technology, and the major labels have been using that to their advantage for years to shore up their falling revenue streams.  


WHAT CAN BREAK THIS STALEMATE? The failure of EMI? I don't think so. The rise and replacement of the majors by new majors (Live Nation etc.)? I don't think so.  Apple tried. Consumers? I don't think so, although this has promise but will stall for years in court.  I need to think on this more, but so far the only thing I can see changing this scenario is musicians leaving the majors?  Or everyone leaving the industry out of BOREDOM or frustration.  And what will happen then? The market for music still exists.... need to ponder more.  


The global copyright database project is interesting but can't see it contributing to innovation because it will,no doubt, use a sample technique when the technology exists to be all inclusive. Apart from that I just can't see anything ahead that can break this stalemate and effect sustainable change for the better.

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